Saturday, January 1, 2011

Hinder's All American Nightmare - Billboard Review

Written by Gary Graff 
Hinder drops its third album, "All American Nightmare," with a chip on its shoulder and a palpable sense of something to prove, given the sophomore sales slump the Oklahoma quintet suffered with 2008's "Take It to the Limit" (469,000 sold, according to Nielsen SoundScan) in comparison with its 2005 triple-platinum debut, "Extreme Behavior." So the group comes out firing hard on "2 Sides of Me" and the title track, channeling four years of heavy touring into tales of wine (or, rather, good beer), women and song. Hinder spends the rest of the set delivering solidly written, meat-and-potatoes tunes made to slide comfortably, if a bit anonymously, into any rock radio playlist. "Put That Record On" slips some country-flavored lope into its verses, while "The Life," "What Ya Gonna Do" and the lush "Everybody's Wrong" provide some ballady respite to the slamming fury of "Waking Up the Devil" and "Strip Tease." Frontman Austin Winkler does have the temerity to ponder what happens "when the whiskey ain't workin' any more." But what Hinder learned on the road, at least according to "All American Nightmare," is how undependable girlfriends are and how badass this hard-partying band can be. That can be a dream or a "Nightmare," depending on the ear of the beholder.

Ratt - Infestation - The Worley Pig


Ratt, Infestation
Shamelessly unapologetic worshipper of the 80s Metal that I am, if you’d told me last year that in 2010 I’d be putting an album by Ratt, Los Angles-based icons of Hair Metal, on my list of favorite CDs, even I would have laughed you off the face of the Earth. So no one was more surprised than me to hear Ratt, valiantly holding on to most of its original line up (RIP Robin Crosby), sounding as on top of the rock world as they did in 1987, serving up a collection of classic metal songs with more visceral sex appeal and crunchy, loud guitars than you could imagine. Someone tell me where these guys are hiding their time machine.

from The Worley Gig


thought this was a good write up on this album, i too was surprised to find tunes u cld actually get into rather than it just sounding like a bunch of bside tracks that didnt make it into their 80s albums.

saw them at key club i think with warner drive- solid show... warren d is a fn great guitarist...
-N

Tuesday, December 28, 2010

The Importance of online content/engagement for Independent Musicians

 This was done a while back, but highlights just how important it is that you do the legwork and get your material discussed, reviewed, posted about, talked about, etc. All those activities contribute to an artists visibility and viability... -N

From Hypebot.com
A new study by New York University's Stern Business School tracked blog chatter for 108 albums for four weeks before and after their release dates.
Stern_biz_school_3The study showed that the volume of blog posts led to future sales, but that large increases in an artist’s Myspace friends had a weaker correlation to sales. According to the study, if 40 or more blog posts were made before an album's release sales ended up being three to four times times the average for both indie and major releases. If blog posts crossed 250, album sales rose to six times the average regardless of label.
But don't throw out the old school rules just yet. Albums released by major labels and albums with a number of reviews from mainstream sources like Rolling Stone also tended to have higher future sales.
Advertising has always been about impressions, but previous marketing efforts were often aimed at big scores - a magazine cover, a TV apprearance or even a major national tour slot - and the bump in sales they provided. But in a fractured media landscape it seems to be the cumalitve effect of a multitude of impressions that matters. This study provides some early clues for music marketers interested in assessing the relative importance of Web 2.0 sites and metrics and suggest that looking at cumalative online action appears to provide predictive value far beyond looking at each in isolation.
PDF of full study

Top 15 Rock Albums of 2010 - From About.Rock.com

Here is a top 15 best Rock albums list of 2010. I think it's pretty spot on, aside from the bands i would just never listen to.. not cuz thyre not good, just cuz i dont like it... personally i thing stp and the dead weather shld be top 10... but its all opinions right? - N


15. Stone Temple Pilots - 'Stone Temple Pilots'

Photo courtesy Atlantic.
It seemed pretty much impossible that Stone Temple Pilots would reunite after years of acrimony. But not only did they reunite, they put out a pretty solid comeback album. Stone Temple Pilots heightens the band’s interest in yummy ’70s-style pop-rock, and with the insanely catchy “Between the Lines” leading the way, the new record demonstrated just how much we missed these glam-rockin’ hedonists.
Purchase/Download

14. 10 Years - 'Feeding the Wolves'

10 years feeding the wolvesPhoto courtesy Total Assault.
On their best album, 10 Years shoot out the expected hard-rock tunes and melodic mid-tempo numbers. But with a major assist from producer Howard Benson, this long-running quartet also figure out how to maximize their songs’ emotional punch. “Don’t Fight It” is an impassioned cry for a departed lover, while “Dead in the Water” is an angry diatribe against religious hypocrisy. What holds Feeding the Wolves all together is a steady, confident skill for accessible, propulsive songwriting.
Purchase/Download

13. Eels – 'End Times'

eels end timesPhoto courtesy Vagrant.
Eels frontman E has spent his last two albums exploring the difficulties of making love last. But unlike 2009’s Hombre Lobo, End Times is a starker, more despairing affair, filled with melancholy songs backed with only the sparest of instrumentation. As a result, End Times is a record for dark nights of the soul when it’s just you alone in bed talking to the wall.
Purchase/Download

12. Toadies - 'Feeler'

toadies feelerPhoto courtesy Kirtland.
Toadies worked on the songs for Feeler back in the mid-’90s, but their label wasn’t impressed, and so the record was shelved. This year, the band revisited those tracks, adding some new material along the way. Miraculously, the album doesn’t feel dated, instead pulsing with the anger and vitality we’ve come to expect from this Texas trio.
Purchase/Download

11. Anberlin -'Dark Is the Way, Light Is a Place'

anberlin dark is the way light is a placePhoto courtesy Universal Republic.
On Dark Is the Way, Light Is a Place, Anberlin very consciously aspire to be a big, sweeping arena rock band in the tradition of U2. That's no easy feat, but the Florida quintet have polished their sound and focused on powerful, accessible guitar hooks. Consequently, the fury of “To the Wolves,” the yearning beauty of “Depraved,” and the towering romantic spirit of “You Belong Here” all work together to capture a band that have mastered the art of blending sonic ambition with sincere, human-sized emotion.
Purchase/Download

10. Band of Horses - 'Infinite Arms'

Photo courtesy Brown/Fat Possum/Columbia Records.
On their third album, Band of Horses fine-tune their formula for woodsy folk-rock jams and back-porch ballads. As warm and inviting as its title suggests, Infinite Arms is the perfect record for quiet mornings spent reflecting on past loves and nagging regrets, but frontman Ben Bridwell’s powerful melodies are there to pick you up so you don’t get too down.
Purchase/Download

9. Hole – 'Nobody's Daughter'

Photo: Vittorio Zunino Celotto/Getty Images.
On the charts, Courtney Love’s comeback album may have been a bit of a flop, but on Nobody’s Daughter the Queen of Hole gets back to the blunt-force honesty and crunchy alt-rock purity of her ‘90s masterwork, Live Through This. Older but not especially wiser, Love realizes she still lives in a world dominated by men, and even if she doesn’t have any answers, she’s bound and determined to make some noise about it.
Purchase/Download

8. The Dead Weather - 'Sea of Cowards'

Photo courtesy Third Man/Press Here.
Sea of Cowards continues in the same vein as the Dead Weather’s first album, Horehound, reveling in its skill at crafting weird, hypnotic little tunes. Jack White and Alison Mosshart do not spend one single second of their sophomore release worrying about hits. Rather, they want to create an album full of the dark sounds that suggest the anxiety and voodoo that make modern life so mysterious and frightening.
Purchase/Download

7. Stone Sour - 'Audio Secrecy'

stone sour audio secrecyPhoto courtesy Roadrunner.
On their third album, Stone Sour strike an excellent balance between accessibility and aggression. Audio Secrecy documents the dissolution of one love story and the beginning of a new one: Lead singer Corey Taylor got divorced and remarried in the last few years, and the agony and ecstasy of those relationships are all over the record.
Purchase/Download

 

6. Black Rebel Motorcycle Club – 'Beat the Devil's Tattoo'

black rebel motorcycle club beat the devils tattooPhoto courtesy Ink Tank.
This San Francisco trio have gone through a sonic evolution over their career, deemphasizing their early albums’ shoegazer rock for a more earthy Americana approach of late. On Beat the Devil’s Tattoo, Black Rebel Motorcycle Club decided to throw together all their influences, producing a record that’s eerie and urgent when it isn’t stark and vicious.
Purchase/Download
 
5. The Hold Steady – 'Heaven Is Whenever'
hold steady heaven is wheneverPhoto courtesy Vagrant.
On the Hold Steady’s fifth studio record, frontman Craig Finn is up to his usual tricks, but with a few new wrinkles. As always, his bar-band rock is exuberant and his short-story lyrics are pitch-perfect, but the Brooklyn sextet’s sound has become both more romantic and more hard-hitting.
Purchase/Download

4. Kings of Leon - 'Come Around Sundown'

kings of leon come around sundownPhoto courtesy RCA.
Southern rock heads to the beach: That's a rough approximation of what Kings of Leon achieved on Come Around Sundown, a confident, polished follow-up to the band's breakthrough album, Only by the Night. While not trying to duplicate their last album's success, the quartet both evolve their sound and stick to their moody alt-rock roots for a relaxed, breezy affair.
Purchase/Download

3. Kid Rock - 'Born Free'

kid rock born freePhoto courtesy Atlantic.
As the album cover of his latest record suggests, Kid Rock is taking it easy and not letting things bother him too much on Born Free, his most melodic and laid-back effort. With guests ranging from Sheryl Crow to T.I., Born Free finds Rock looking for signs of hope amidst the bad news in the world today. His answer to war and recession is good songs, and while that may not cure society's ills, it does make for an engaging record.
Purchase/Download

2. Drive-By Truckers – 'The Big To-Do'

drive by truckers the big to doPhoto courtesy ATO.
Smart, tough, touching and raw, Drive-By Truckers’ The Big To-Do­ is the perfect album for our Great Recession times. This Georgia sextet merge arena-rock, alt-country, and indie-rock into a heady brew for songs about strip-club encounters, bad jobs, murder and the casual heartbreaks that make up too much of everyday life.
Purchase/Download

1. Deftones – 'Diamond Eyes'

deftones diamond eyesPhoto courtesy Reprise.
Can an alt-metal band be thunderously loud, poignantly emotional and ferociously original all at once? If that band is Deftones, absolutely. Inspired by longtime bassist Chi Cheng’s 2008 car accident, which left him in a coma, the California quintet have produced their most articulate and muscular record, one that channels all the highs and lows of life itself. Diamond Eyes came about because of tragedy, but Deftones figured out how to make triumphant music out of their pain.
Purchase/Download

Saturday, December 25, 2010

Touring and Giving Away Your Music - Article from Songkick.com blog

Long-tail artists are touring more than ever before

Long-tail artists touring more
Download long-tail artists graph here.
This is the graph we love the most!! We were inspired by this economics study[1] by a group of Harvard and Stanford academics (Hi Julie and Chris!) that examines the relationship between file-sharing and live music, concluding that file-sharing “increases live performance revenues for small artists, perhaps through increased awareness. The impact on live performance revenues for large, well-known artists is negligible.” The minute we read the study it felt right to us. We dug into this more by dividing our artists into quartiles based on popularity and examined their US tour dates over the last four years. The fourth quartile (least popular bands, long-tail acts) has had the fastest growth in touring over the last 4 years, while the first quartile (most popular bands) has had about the same number of concerts over the last 4 years.
The great power of digital distribution is that it’s much easier to discover and listen to new bands. Back when we had to hunt down physical albums in stores, our rate of new artist discovery was much, much lower. That means a new band can build a widespread following much more efficiently than back-in-the-day, and can therefore do a world tour a lot earlier in their career, whereas huge, popular acts like U2 and Rolling Stones are already big as ever, and won’t benefit from this additional digital distribution. (I mean… Die Antwoord anyone? When has a South African artist skyrocketed to stardom through the Interweb like that?)
We hope this opens up a discussion about how live music is contributing to artists’ revenues and whether bands can sustainably make a living by going on the road. What we’re happy about as fans is that our chances of seeing The Antlers (a team Songkick favorite) is much higher now than four years ago.
This won’t be the last from us! If you have any ideas about what analysis you’d like to see next or want to do some number crunching of your own, please get in touch.
Thanks a billion to Michael and Gideon for making this analysis happen.
[1] Mortimer, Julie Holland, Chris Nosko, and Alan Sorenson, “Supply Responses to Digital Distribution: Recorded Music and Live Performances.” NBER Working Paper No. 16507. October 2010.

Friday, December 24, 2010

Kissmas 1976

Kiss, October 1976
 
Gesturing in a somewhat phallic nature with candles, members of Kiss pose for a mock Christmas card arranged by Creem magazine. Though the Kiss album 'Alive!' broke the US Top 10 in 1975, many fans still hadn't seen the fiery, costumed hard rockers until October 1976, when Kiss performed -- as did 'Brady Bunch' mom Florence Henderson -- on 'The Paul Lynde Halloween Special.'

Not long after that program -- the band's first major TV appearance -- the single 'Beth'/'Detroit Rock City' became Kiss' first US Top 10 single. Neal Preston, the photographer who took this shot, has toured with rock acts including Led Zeppelin, the Who and Bruce Springsteen, capturing iconic images of rock 'n' roll at its wildest.
 Posted on Dec 24th 2010 10:30AM on Spinner.com by Pat Pemberton Photo - Neal Preston, Corbis

Thursday, December 23, 2010

Warner Drive Bad Ass Band Pic and Upcoming Album Release @ the Roxy

This is a shot I came across today of Warner Drive, a great LA band thats a big part of whats happening in rock and roll here. It's a bad ass band photo. Way too many rock bands w these tough guy pics that are often, um... lame. (fuk.. ive been in those haha)

Anyway it's a great shot that shows the personality of a hard rocking, real, and raw band. Any of you that have been to some WD shows know that they get the audience jacked up, rock great tunes effin hard and have a fine time doing it.

they have an album release show/party comin up at the Roxy on February 25th. ya should def come out. The band has a lot of really good material, like well crafted rock music u can dance and party to..


Heres their Myspace  Chek it

In RoK
Nikolazzi - get the Tweet

some Sunset Strip Hollywood Rock Shows for rest of 2010

Here's some uv whats Coming up on the Sunset Strip: (more to come)

The Cat Club - 2010 Christmas Party with Permanent Damage 
Event Link:
http://mysp.ac/fALUqO
Thurs 12/23/10 9pm

The Cat Club is an Iconic cool little dive next to Duke's and the Whisky on the strip. Dayle Gloria is the club promoter, shes been in the business for a long time and is a HUGE supporter of local bands. You can see live music here every night of the week.




The Whisky a Go Go - New Years Eve with Vains of Jenna
Event Link:
http://mysp.ac/gVSoy1
12/31/10 8pm

For the past several years VOJ has been doing NYE at the Whisky. I went a few years back and it was a lot of fun. They have a new singer now, our boy Jesse Forte, so this years show will def be a good one. Also, Celina Denkins is the booker at Whisky, she is an awesome lady, also very supportive of local working bands


House of Blues Hollywood - New Years Eve with Steel Panther
Event Link

What can ya say... Steel Panther is gonna be in spectacular form this night no doubt. If yer going you likely know what to expect. But this night they definitely turn it up to 11. Plus these guys are all really good musicians so for you players out there they can be fun to watch just for their instrumental prowess. Go... get drunk, see some rock and titties and ring in the new year.

I'll post more on the remaining 2010 rock shows in LA/HWD... gotta go

In Rock- Nikolazzi
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Wednesday, December 22, 2010

Dave Grohl with Foo Fighters does Nirvana Reunion at Paladinos

Just heard that the secret Foo Fighters show went down at Paladino's in Tarzana. About 500 fans packed the venue while Grohl brought up Novaselic and Pat Smear. Krist apparently played on the Foo's upcoming album. As many of you know Smear played w Nirvana back in the day, and also with the Foo Fighters.

It's crazy how many awesome artists come thru this town and that they're into doing these smaller shows and getting intimate with their fans. I dig..


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songkick's top 10 US cities for Live rock bands in 2010

Just checked out this songkick report for best cities for live rock music! The blog section of their page has some awesome info on it. check it out here http://www.songkick.com/blog